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All of our posts for filmmakers.
Script Rewrites: The Good, The Bad, and The Convoluted
Zachary Evans looks at some of the benefits and pit-falls of having more than one writer on a project by putti...
Manage Collaboration During Post More Effectively with Everytime
Anyone who's worked on a creative project knows that one of the hardest things is managing the review and feed...
Callsheet Operator - Call sheets for the 21st century
The concept of call sheets hasn't changed much in over half a century. Although there have been many valiant ...
Should Authors Become Screenwriters?
Zachary Evans looks some of the pros and cons facing authors looking to adapt their work for the screen, with ...
CGI and Practical Visual Effects of Mad Max: Fury Road
In an excellent piece over at FX Guide, Ian Failes takes an in-depth look at how some of the most stunning vis...
Composing movement, Kurosawa style
Akira Kurosawa is celebrated as one of the greatest film directors in history. He true mastery of the medium ...
How to be a Filmmaker
Ok, so it's 'branded content' for Kessler Cranes, but garnered a few laughs here as it isn't actually far off ...
Understanding Speedboosters
Cinematographer Jon Kline explains the benefits of using a speed booster to both increase the number of lenses...
Becoming a Full-Time Filmmaker: When to Quit Your Day Job.
Mark Boucher provides some thoughts and tips on how and when to make the move into a full-time career in filmm...
